Winds, Brass, and Percussion Auditions

2024 - 2025 On-Campus Flute Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirements

• Applicants choice between: Faure”s Morceau de Concours for flute and piano; Movement 1 Lin-Fa or Movement 3 Gaia from Legends for flute and piano by Valerie Coleman; or Here”s One by William Grant Still, playing the vocal line with piano;
• Minimum of one additional piece of applicant”s choice

The piano accompaniment is required for the set piece (Faure”s Morceau de Concours for flute and piano; ;Movement 1 Lin-Fa; or Movement 3 Gaia from Legends for flute and piano by Valerie Coleman; or Here”s One by William Grant Still), but the other piece(s) in your video submission may be submitted without piano accompaniment. If live accompaniment is not possible, we recommend using this recorded piano accompaniment for Faure”s Morceau de Concours for your video submission, or invite you to upload a short recording (no more than three minutes) of yourself in a previous performance with piano or in a chamber ensemble.

Final Audition Requirements

• Three selections from sonatas, concertos and other solo pieces or etudes, of contrasting style. A movement may be considered as one selection.
• While not required, additional orchestral excerpts are welcomed and encouraged.
• Please email Flute Professor Alexa.Still@oberlin.edu with any questions.

It is recommended that the piece required for screening (Faure”s Morceau de Concours for flute and piano; Movement 1 Lin-Fa or Movement 3 Gaia from Legends for flute and piano by Valerie Coleman; or Here”s One by William Grant Still) not be one of the final audition pieces chosen. Compositions chosen should showcase the applicant”s strengths as well as demonstrate the applicant”s musicality and ability in phrasing, sustained playing, and technical facility, including legato and articulated passages.

2024 - 2025 On-Campus Oboe Audition Date

• Saturday, February 8, 2025
• Saturday, February 15, 2025 

Screening Requirements:

• One or more pieces of the applicant's choice, totaling approximately ten minutes of playing

Audition Requirements:

• Two or three selections, including movements from sonatas, concertos, and other solo pieces, of contrasting styles from standard repertoires
• Barret's Sixteen Grand Studies, any one of the applicant's choice 

Compositions chosen should demonstrate the applicant's ability in phrasing, sustained playing, and technical facility, including legato and staccato at varied tempi. 

2024 - 2025 On-Campus Clarinet Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirements

• Not to exceed 10 minutes of music.
• Applicant can choose one or multiple works. 
• Bb or A clarinet is acceptable for any work. If you would like to perform a solo or excerpts on the bass clarinet or E-flat clarinet, it would be in addition to the requirements above. Piano accompaniment not required but appreciated.

The selected work(s) should demonstrate the following criteria to the best of your ability: creativity, lyrical playing, technical facility and the passion for the instrument and repertoire you have chosen to perform. Please announce your name at the beginning of the video.

Final Audition Requirements:

Two required works:

• Mozart’s Clarinet Concerto, first movement, exposition only: m. 57-m. 155
• Samuel Coleridge-Taylor's Clarinet Quintet Op.10, second movement, begin at 5th bar of letter O and end at 3rd bar of Letter P

One of the following works:

• Antonio Lauro's Lauro for Clarinet, arranged by Paquito D'Rivera, choose one movement
• Stravinsky's Three Pieces for Solo Clarinet, Mvt. II only
• Kinan Azmeh's Prayer, Tribute to Edward Said, for solo clarinet (2003). For sheet music, email: contact@kinanazmeh.com

One orchestral excerpt:

• Mendelssohn's A Midsummer Night’s Dream, Scherzo, from beginning to bar 48

Bb or A clarinet is acceptable for any work. If you would like to perform a solo or excerpts on the bass clarinet or E-flat clarinet, it would be in addition to the requirements above. Piano accompaniment is optional. 

2024 - 2025 On-Campus Bassoon Audition Dates

• Saturday, February 8, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirement:

• Movement or exposition of 1st and 2nd movements of a solo piece of the applicant’s choice

Final Audition Requirements:

• Fast/technical movement of a standard solo of applicant's choice, such as Weber or Mozart concerto 1st movement.
• Lyrical movement (or piece) of applicant's choice. Encouraged to include a work by an underrepresented composer such as but not limited to Ulysses Kay Sonata or Adrienne Albert Serenade,   Wilson Dance Suite, Siqueira: Drei Etuden
• Two excerpts of applicant's choice
• Etude of choice
• Email Professor Pattison with questions drew.pattison@oberlin.edu

2024 - 2025 On-Campus Horn Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025
• Saturday, February 15, 2025 

Screening Requirements:

• Video introduction including :
  • Name
  • Secondary major, if applicable
  • Current private teacher
  • Current school level
  • Why you've chosen to pursue music
  • Fun fact about yourself
• Kopprasch #3 & #22 OR Gallay #8 from 12 Studies for Second Horn
• Shostakovich - Symphony No. 5: Mvt. 1, 2 mm. after [17] to [21]
• Mussorgsky - Pictures at an Exhibition: Promenade II, 6 mm. after [18] to [19]

Final Audition Requirements:

• Two contrasting etudes
• A major solo (Applicants may write to Associate Professor of Horn, David Byrd-Marrow, directly if they are unsure)
• Three to six standard orchestral excerpts
• *Applicants should be prepared to play any scales or arpeggios asked of them, and to sight-read or sight-sing. 

*Applicants submitting a recorded final audition will be asked to complete this component in their virtual meeting with Professor Byrd-Marrow. 

2024 - 2025 On-Campus Trumpet Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirements:

• One solo piece of applicant's choice, such as the first movement of Kennan's Trumpet Sonata and the second movement of Hummel's Trumpet Concerto
• One étude; such as Charlier, Étude #2 or Arban, Characteristic Study #1.
• Orchestral excerpts:
  • Mussorgsky's Pictures at an Exhibition, "Promenade"
  • Stravinsky's Petruschka, "Ballerina Danse"
  • Respighi's Pines of Rome, offstage solo
  • Beethoven's Leonore Overture No. 2 and No. 3, trumpet calls
  • Mahler's Symphony No. 5, opening call

Final Audition Requirements:

• Two solo pieces of applicant's choice of contrasting styles, such as the first movement of Kennan's Trumpet Sonata and the second movement of Hummel's Trumpet Concerto
• Orchestral excerpts:
  • Mussorgsky's Pictures at an Exhibition, "Promenade"
  • Stravinsky's Petruschka, "Ballerina Danse" 
  • Respighi's Pines of Rome, offstage solo
  • Beethoven's Leonore Overture No. 2 and No. 3, trumpet calls
  • Mahler's  Symphony No. 5, opening call

2024 - 2025 On-Campus Trombone Audition Dates

• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirement:

• One or more pieces of the applicant's choice, totaling approximately ten minutes of playing

Audition Requirements:

• A Rochut/Bordogni étude of the applicant's choice
• A contrasting technical étude of the applicant's choice
• A solo or concerto movement from the standard repertoire
• Major scales (two octaves where practical) and sight reading may be asked for in the live audition.
• Orchestra excerpts are welcome, but not required

2024 - 2025 On-Campus Trombone Audition Date

• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Screening Requirement:

• One or more pieces of the applicant's choice, totaling approximately ten minutes of playing

Audition Requirements:

• A Rochut/Bordogni étude of the applicant's choice
• A contrasting technical étude of the applicant's choice
• A solo or concerto movement from the standard repertoire
• Major scales (two octaves where practical) and sight reading may be asked for in the live audition.
• Orchestra excerpts are welcome, but not required

2024 - 2025 On-Campus Tuba Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025

Screening Requirements:

• One étude
• Wagner's Die Meistersinger Overture, beginning to downbeat of letter A
• One, two-octave scale

Final Audition Requirements:

• One technical and one lyrical étude
• One solo piece of applicant's choice
• Berlioz' La damnation of Faust, "Hungarian March", rehearsal 4 to the fourth bar of rehearsal 5
• Wagner's Ride of the Valkyries
• Prokofiev's Fifth Symphony, first movement, begin at rehearsal #3 to eight measures after rehearsal #5
• Wagner's Die Meistersinger Overture, beginning to downbeat of letter A and rehearsal J to rehearsal L

2024 - 2025 On-Campus Percussion Audition Dates

• Saturday, February 8, 2025
• Sunday, February 9, 2025
• Saturday, February 15, 2025 
• Sunday, February 16, 2025

Note: The Percussion Audition includes demonstration of all three areas listed below.

Below you will find the screening and final audition requirements for each of the three required areas, followed by examples. 

Percussion education can take many paths. Professor Karre is committed to an open and inclusive environment, regardless of race, ethnicity, gender, or LGBTQ+ status, where all approaches are valid and young artists can build rewarding lives as creative musicians and thoughtful collaborators. If the examples below are unfamiliar to you, Professor Karre would still like to hear you play and understand your goals as a percussionist.

Recommendation: When choosing music for your audition select works that are slightly below your technical level, so that your interpretation is clear and expressive. 

Keyboard (Marimba, Xylophone, Vibraphone)

Screening Requirements:

• One composition, or movement with four mallets
• One composition, or movement with two mallets

Final Audition Requirements:

• One composition, or movement with four mallets
• One composition, or movement with two mallets

Example works:

2 Mallet
J.S. Bach - one movement from Sonatas and Partitas for Solo Violin
J.S. Bach - one movement from Six Suites for Solo Cello

4 Mallet
Keiko Abe - Dream of the Cherry Blossoms
Pius Cheung - Etude in E-minor
Joanne Metcalf - Floating and Grooving
Kaori Okatani - Three Colors
Gordon Stout - Two Mexican Dances
Toshimitsu Tanaka - Two Movements for Marimba
Errolyn Wallen - Remember, Marimba
Andrea Venet - ​Strobilanthes  

You may perform passages from orchestra, wind ensemble, band, marching band (front ensemble) which include 2 and 4 mallet playing on xylophone, marimba, or vibraphone.

Snare Drum

Screening Requirements:

• Two études of diverse styles demonstrating musicality as well as technical ability

          Or

• You may perform passages from orchestra, wind ensemble, band, or marching band that include drums performed with sticks. 

Final Audition Requirements:

• Two études or compositions demonstrating musicality as well as technical ability

Example works: 
Anthony Cirone - Portraits in Rhythm
Jacques Delécluse - Douze Études pour Caisse Claire
John S. Pratt - 14 Modern Contest Solos
Charles Wilcoxon - Modern Rudimental Swing Solos

Timpani

Screening Requirements:

• There are no timpani screening requirements.

Final Audition Requirements:

• One composition or movement from a composition 
• Demonstration of tuning ability 
• You may perform passages from wind ensemble, band, or marching band (front ensemble) that include timpani.

Example works:

Raynor Carroll - Exercises, Etudes, and Solos for the Timpani
Richard Hochrainer - Etüden für Timpani 1-3
Nick Woud - Symphonic Studies for Timpani

Notes

If you're having difficulty accessing the percussion instruments required for your screening or final audition recordings, please contact the Office of Conservatory Admissions at conservatory.admissions@oberlin.edu.